Saturday, March 19, 2011

BABIN'

Coco Solid is my fave NZ rapper and also my Number 1 Love-Life Confidante. We have been (knowingly) having mirror epifs since 2008 and both have funny feelings we are in for some cosmic collabs in future. Last weekend when I was in Auckland my other friend was going to a wedding so she dropped the kids off at nana's then me off at Coco's to stay the night. I got to meet her herb dealer and found out that the King of Herbs is in fact, Basil.

Here is a beautiful poem from her new mag PHILOSOFLYGIRL which you can order here. It brings a tear to my eyes.

HE AROHA PONO

The real elite are never elitist.
On my behalf only, I decline the matter they feed us.
Know my quest was relative to yours, to the grave from the fetus.
I own up to lost property, I am not a defeatist.

I know my own style. I live wise-awake to my taste.
Now silent beauty emerges at the extroverts wake.
I make proud but fragile moves within my own time.
My finest moments are my weakest, slain in existential recline.
Aroha pono can burst forth when vanity proves pointless to shine.

Not only yours, dynamic plights shift behind a trillion masks
I don't ask you to answer what I have asked.
You're not mine to solder to my clutch
But to be kept in circulation

And like warm zen minutes
I allow you to pass

Thursday, March 10, 2011

DARK STARS ON JOHNSTON ST






















If you are in Melbourne this weekend I highly recommend checking out FFM at the Old Bar, Saturday 12th of March from 9pm. For a measly $6. Rumour has it another sparkly star from a particularly hygienic band from NZ may be joining them. Is it all just HOT GOSSIP?
Nobody knows!

Here's a story I did for threethousand in its extended form :

It has come. The planets have aligned to bring Full Fucking Moon into clear view of the naked eye, this Saturday night, from the unlikely vantage point of The Old Bar dance floor. Joined by Satanic Rockers, The Jackals and Asps, NZ's genre-embracing cosmic trio radically fuse elements of many to create the sensational self-coined 'Shaggs of neolithic heavy metal disco'.

Uniting in a rare interstellar constellation, Droszkhi (Torben Tilly) and Riffkah (Bek Coogan) have washed ashore from a land rich in rainfall and boiling mud while Electric Bongo Bongo (Steve Heather) has beamed his way directly from efficient Berlin. With the express purpose of leading you on a sonic exploration into deep space.

In Melbourne touring their timeless 12" Still Life With Black Light, produced during a residency in Worpswede, Germany. An atmospheric vinyl disc that, when played right, hypnotically releases ethereal radiophonic mist, rising from a molten river of rumbling rocky riffs which, while dormant, lie housed within a series of concurrent circular grooves. Prolonged listening may awaken that age-old realisation that, solid as matter may seem, it is actually made up of a rhythmic myriad of jittery harmonic sparkles.

More than just a phase, FFM is sonic salve to the psychedelic senses.

Monday, February 14, 2011

WHAT BECAME OF THE O.G MANIFESTIVAL

In September last year I had my first official art show in Melbourne, The Manifestival, for party artists. Party generation is at the heart of any official punk document a party artist produces. We don't like to produce heaps because it's a waste of resources, so we tend to be very careful yet also tantalisingly loose about our usage and re-usage of materials. I zenly hand drew scores of fliers on the backs of envelopes and other half-used pieces of paper.

After I took it down I promptly crossed out the parts that had already changed and cut it into puzzle pieces to distribute as gifts. Here's a piece I gave to my main man at NZ Archives, Geordy Muir, when he picked me up from the airport.

Sunday, February 13, 2011

PERPETUAL GENIES

Great genial power, one would almost say, consists in not being original at all; in being altogether receptive; in letting the world do all, and suffering the spirit of the hour to pass unobstructed through the mind.

Ralph Waldo Emerson
(from Emerson's Transcendental Vocabulary by Mary Alice Ihrig)

Thursday, February 10, 2011

COHESIVE HOLE

Remember how I harked back to my time in Spain a few weeks ago with some travel excerpts from the blue diaries? Well I left my notebook at the A1 internet joint that day and only just realised.
Lucky they still had it!

Here's some more :


















I'd been thinking of studying at university but have since realised being a rogue scholar is the life for a party artist. NRG is precious and money takes time to acquire, so why not take love-soaked lessons from your friends for free? (not necessarily in a kinky way)

One of my dead friends J.Krishnamurti said this to me from between the pages of The Flame of Attention in the library today :

One needs tremendous energy to meditate and friction is a wastage of energy. When in one's daily life there is a great deal of friction, of conflict between people, and dislike of the work which one does, there is a wastage of energy. And to enquire really most profoundly - not superficially, not verbally - one must go very deeply into oneself, into one's own mind and see why we live as we do, for meditation is the release of creative energy.

I was like "yip" but silently on account of being in the library.

HOW IT GOT IN THERE

Found out the answer to my exclamation of a couple of posts ago :

All Buddhist teachings are the outcome of a warm heart cherished for all sentient beings, and not of a cold intellect which tries to unveil the secrets of existence by logic. That is to say, Buddhism is personal experience and not impersonal philosophy.

Dr Suzuki in Essays in Zen Buddhism
(But I got it from The Way of Action)

This may go some way to explaining why I dub my sensational experience 'The Party Within' and not 'The Factoid Within'.

Tuesday, February 8, 2011

ART STAR SYNCHRONICITY
















Double page spread, Moonee Ponds, 2010.

Want to hear a little 'dote about a funny thing that happened?

A couple of weeks ago while visiting DPAG, (Dunedin Public Art Gallery) I found myself lingering over Ronnie Van Hout's book I've Abandoned Me, a companion piece to his show of the same name that I'd seen in Wellington and loved deeply (circa 2004). On about my third visit it kept absorbing my attention. I gave in and splashed out thirty big ones so I could take it home.

One evening within the same week I was lying on some grass in the town belt drawing in my yellow fluoro* notebook. Currently I am working on a world changing (for me at least) party philosophy book that is dedicated to my sweet friend and former colleague Vito. He looks like Prince but slightly taller and possibly a better cook. I was writing on the page in a semi-whimsical font : This Gentle Revolution is for Vito. While I was doing that a little fluffy dog went nuts at me, yapping uncontrollably for a really long time. Her owner tried to appease her to no avail. She assumed it was because I was lying down. I noted the presence of the unruly puppy, whose name was Poppy, on the page with my pen.

Then last Thursday some friends opened a new gallery down here,
rice and beans. I helped out cutting fruit and pouring drinks for a while then hung in the VIP lounge low-key studio chill out zone next door. Who should I happen upon? Ronnie Van Hout with his lady Poppy and tiny son Vito. Ha!

*Not actually fluoro but says 'fluoro' on the cover.